Mo Carey was back for a session and then came back in with Kent Buckner to work on another project with him. Kent is putting out another series of audio workout regiments. He is a trainer with many celebrity clients. Obviously the guy knows his stuff… the dude is in shape! We had more fun that should be had doing VO work.

I am working with the Radical 80′s again. They have hired me to perform and record backing tracks for use in live shows. This is a lot of material to crank out in a small time, but I am going to make it happen!

Last but not least, Travis Jay was back for a full day to put the finishing touches on Travisty before we start the final vocals. Zech Williams made his first appearance on any album in this session. We added some new drum and percussion. A little late in the game for basic tracks, but this is not your normal album. The rough mixes are sounding fantastic. Get ready!

Mo Carrey has been in the studio for 6 sessions.  We have finished the first mix tape and most of the second.  The album is next.  Last night he brought in Big Ron, The Professor, and J Maro.

Travis Jay was here for a session.  The sessions are getting seriously big now.

Bud Berning brought in Jamie Drake and Sally Jaye for backing vocals on his project Black Kettle.  These girls can sing!

Kevin Pugh was in for a full day and we got a final mix for his first single to release.

Dead Letter Six was here for two consecutive sessions to record drums, bass, keys, guitars, and backing vocals.  Guitars and final vocals coming soon.

Justified Cause was in for a marathon 13 hour session.  We tracked 16 songs over two sessions with 4 guitar tracks per song.  Do that math!

Harlequin Bureau was here to recreate the beat behind a beautiful piano ballad that now has some great energy.

Today I just picked up a Wurlitzer organ.  I have no idea where I am going to put it, but I will find a place for it!

We did another round of dialing in what is left to complete the album.  We are close now.  Just some drum parts, vocals, and acoustic guitars and we are mixing this thing.  Stay tuned.

Two great sessions back to back today.  First with Travis, we cut final vocals and acoustic guitar on “Swallow My Smile” for the first completed track of the album.  It has been a long road, but all the pieces are finally coming together.

Directly following that session, Jonas Cabrera came in to track his new ballad “Love Is Gone”.  He had me play the acoustic guitar part and then I cut a light shaker part.  He did a couple vocal takes and some harmonies.  With only a few elements, the track is already very big.  We have one more session to finish up, but this song is one that will be heard for sure.  Great tune, great vocals, great session.

Check out Jonas and The Skeletones at http://skeletonesmusic.com/

Travis was back in for some fun bits to make some of the bridge sections sound a bit more interesting.  We did some weird and fun things with reamping.  To get a cool stereo effect with the vocals, we took an amp and hung it from the ceiling.  Then we stereo mic’ed it and swung the amp around.  This was inspired by the Paul Ward interview at The Home Recording Show (show #82).  Here is a picture to illustrate the point.

We are finally on to vocals on the now over a year project.  We are going to start tracking 2 to 3 songs per 4 hour session and get this project put to bed.  We are so close now.  It is exciting to finish out a project where countless hours were spent and the focus has never been lost.  I look forward to the final product.

I asked Dave to come in to track some guitars for a demo that I cut.  I have not worked on one of my own songs in I do not even know how long.  It was fun to have him in and he laid down some amazing guitar work on the spot.  I like when he does not get the chance to plan things out… I just throw things at him and like to work that way sometimes.  Also joining us for vocals is Travis Jay.

We are just about to wrap up the album.  We put some of the final instrumentation for the project.  We are so close to doing the vocals and move on to the mix portion of the project.  The new mandolin and guitar tracks finished in the wee hours this morning are some of the most interesting things that we have done so far.  Fitting that it happened exactly one full year from the original session.

We got through 16 songs with bass edits, new tracks on 4 or 5 tunes, and reamped every single one.  It was an amazing amount of work that we somehow crammed into one session.  I have never felt the Pilotone at the temperature that it got up to by the end of the night.  We even managed to retool a few drum tracks and record a new high hat track.  Very productive day.  We are close to putting this album to bed.